原著論文Original PaperThis is a play about three cozeners working in 17^ century London. The first pretends to be an alchemist, the second a whore and the third a servant. They are all plotting to sell magical powers from the philosopher\u27s stone, which doesn\u27t exist. They plan to trick their foolish customers and relieve them of their wealth. Their customers include knights, gentlemen and religious from London and the surrounding countryside. Jonson\u27s chief aim, via depicting the gullibility of the customers, is to show contemporary 17^ century London
The instruments represented in this 18th-century manuscript, necessary to the (al)chemical processes...
Although the real theme of the Alchemist may be described as avarice and lust, alchemy figures so la...
This thesis is a study of Ben Jonson's point of view. It attempts to determine that point of view by...
P(論文)This is a play about three cozeners working in 17^ century London. The first pretends to be an ...
Alchemy was still legitimate pursuits in Early Modern England. Although alchemy had been a statutory...
This study was made to trace the stage history of The Alchemist and to see what effect theatrical pr...
In Ben Jonson’s The Alchemist, the laboratory space that is constructed through the play functions a...
Drama has been perceived in multi-faceted ways. On a general note, it has been viewed as the reflect...
This essay contextualizes Ben Jonson’s The Alchemist in relation to the social controversy generated...
It has become a commonplace in Jonsonian criticism to refer to the dramatically effective use of can...
One significant yet understudied aspect of the First Folio printings of Epicoene and The Alchemist i...
In this paper, the author examines Ben Jonson's "Volpone" and "The Alchemist", and considers how Jon...
With an extensive manuscript research done independently by B. Traister and L. Kassell, we now have ...
This paper considers the protocapitalist social climate in early modern London, examining three earl...
This paper treats of early modern alchemy and theatricality. I focus on the theatrical characteristi...
The instruments represented in this 18th-century manuscript, necessary to the (al)chemical processes...
Although the real theme of the Alchemist may be described as avarice and lust, alchemy figures so la...
This thesis is a study of Ben Jonson's point of view. It attempts to determine that point of view by...
P(論文)This is a play about three cozeners working in 17^ century London. The first pretends to be an ...
Alchemy was still legitimate pursuits in Early Modern England. Although alchemy had been a statutory...
This study was made to trace the stage history of The Alchemist and to see what effect theatrical pr...
In Ben Jonson’s The Alchemist, the laboratory space that is constructed through the play functions a...
Drama has been perceived in multi-faceted ways. On a general note, it has been viewed as the reflect...
This essay contextualizes Ben Jonson’s The Alchemist in relation to the social controversy generated...
It has become a commonplace in Jonsonian criticism to refer to the dramatically effective use of can...
One significant yet understudied aspect of the First Folio printings of Epicoene and The Alchemist i...
In this paper, the author examines Ben Jonson's "Volpone" and "The Alchemist", and considers how Jon...
With an extensive manuscript research done independently by B. Traister and L. Kassell, we now have ...
This paper considers the protocapitalist social climate in early modern London, examining three earl...
This paper treats of early modern alchemy and theatricality. I focus on the theatrical characteristi...
The instruments represented in this 18th-century manuscript, necessary to the (al)chemical processes...
Although the real theme of the Alchemist may be described as avarice and lust, alchemy figures so la...
This thesis is a study of Ben Jonson's point of view. It attempts to determine that point of view by...